Concert Diary
Upcoming Events from Member Ensembles
Eastertide Passions and Sorrows // Adelaide Baroque
The Passion of Christ has inspired composers for centuries. We start our 2024 Orchestral series delving into some of the riches of the Baroque period including selections from Scarlatti’s Stabat Mater and Handel’s Brockes-Passion.
Songs Without Words // Adelaide Baroque
Delve into the Baroque’s fascination with emulating the human voice as two virtuosi transport you to a time when instruments spoke the language of the heart. From spellbinding diminutions on 16th century madrigals to emotive and melodic 17th century arias, their performance recreates the rich tapestry of vocal expression. Be enchanted by the beauty and emotional depth of music by D’India, Rognoni, Caccini and others, as harp and recorder weave harmonious tales of love, longing, and pure artistry.
Due Voci // Adelaide Baroque
The two stunning soprano voices of Kate Macfarlane and Emma Horwood together with harpsichordist Anne Whelan combine with delicacy and grace to perform Baroque duets by Cozzolani, Strozzi, Monteverdi and Händel, and the Baroque masterpiece “Troisième Leçon de Ténèbre” (1714) by François Couperin written for the nuns of the Abbaye de Longchamps.
Coriole Music Festival 2024
'A weekend of fine chamber music' - The Coriole Music Festival is an immersive two days of beautiful chamber music, with meals and wine included.
Luminaries // Selby & Friends
Iconic Australian ensemble, the Goldner String Quartet in their farewell season, joins our Artistic Director for this stunning program of favourites. Beginning with a rarely played early Mozart Piano Concerto in the composer’s own arrangement for piano and string quartet followed by Tchaikovsky’s stirring string quartet in D, the concert concludes with one of the greatest of all piano quintets by Shostakovich. This is a program not to be missed as we say goodbye to an important Australian icon in a special celebration of old friends.
Old Worlds and New // Adelaide Baroque
A unique concert event exploring the fascinating mix of musical cultures along the Mediterranean in the medieval and early renaissance period, with special guests Aaron Brown (violin/rebec) and his ‘Early Modern Trio’, and santur player Maryam Rahmani in conjunction with Nexus Arts.
Old Worlds and New // Adelaide Baroque
A unique concert event exploring the fascinating mix of musical cultures along the Mediterranean in the medieval and early renaissance period, with special guests Aaron Brown (violin/rebec) and his ‘Early Modern Trio’, and santur player Maryam Rahmani in conjunction with Nexus Arts.
Vanguard // ASQ (UKARIA)
Pushing the boundaries of the genre, Beethoven and Korngold take the string quartet to new frontiers with these ground-breaking works.
Vanguard // ASQ (Elder Hall)
Pushing the boundaries of the genre, Beethoven and Korngold take the string quartet to new frontiers with these ground-breaking works.
Jewels in the Crown // Selby & Friends
An S&F favourite, violinist Natalie Chee returns in 2024 for a brilliant and unusual program featuring Beethoven’s mighty ‘Kreutzer’ Sonata with Kathryn Selby. Accomplished performer and mentor Lloyd Van’t Hoff opens the program with what is considered the greatest work composed for clarinet and piano with Brahms’ second sonata followed by two of the most popular and extraordinary works for violin
An Ungrateful Instrument // Adelaide Baroque
‘An ungrateful instrument’ is the title of award- winning Adelaide author, Michael Meehan’s latest book. It is a novel of many themes but central is the struggle between Baroque musicians Antoine Forqueray and his son Jean- Baptiste, perhaps the greatest instrumentalists of their day and both in their times child prodigies to the court of Louis XIV.
We take the music of those two protagonists and the court of Louis XIV, one of the richest epochs of French music in any age with selections from Lully, Couperin, Charpentier and Marais to illuminate readings from the book by Michael.
An Ungrateful Instrument // Adelaide Baroque
‘An ungrateful instrument’ is the title of award- winning Adelaide author, Michael Meehan’s latest book. It is a novel of many themes but central is the struggle between Baroque musicians Antoine Forqueray and his son Jean- Baptiste, perhaps the greatest instrumentalists of their day and both in their times child prodigies to the court of Louis XIV.
We take the music of those two protagonists and the court of Louis XIV, one of the richest epochs of French music in any age with selections from Lully, Couperin, Charpentier and Marais to illuminate readings from the book by Michael.
Triple Treat // Selby & Friends
Beethoven once again features prominently in this incredibly diverse program featuring two of our favourite guest artists – Susie Park and Timo-Veikko Valve. The highlight of this program is a work that wowed audiences when programmed once before – Beethoven’s virtuosic Triple Concerto in Reinecke’s stunning arrangement for piano trio.
Metamorphoses // Adelaide Baroque
In this program, Nicholas Pollock performs music from early 17th century Italy on the sublime and enchanting theorbo. The programs focuses on the works of three of the most significant composers for the theorbo: Kapsperger, Castaldi and Piccinini. Don’t miss this opportunity to hear some of the most beautiful and inspiring music from one of the most neglected repertoires.
Bach and Handel // Adelaide Baroque
What greater way to celebrate the joy of music than with two of the most popular masterworks from two of the greatest of Baroque composers: Handel’s “Ode for St Cecilia’s Day”, HWV 76 and Bach’s Cantata “Jauchzet Gott in allen Landen”, BWV 51 in the glorious acoustic of St Peter’s Cathedral.
Lonely Angel // Selby & Friends
Our 2024 Season closes with a stunning and fascinating program of contrasting elements – from Spain to France, Latvia to Germany, this concert shines with national pride, fervour and melody and gives us insight into the incredible development over a short space of time of the genre of chamber music and, in particular, the piano trio.
Goldberg Variations // Víkingur Ólafsson at UKARIA
Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the world’s leading pianists, makes his Australian debut at Adelaide Festival with Bach’s monumental Goldberg Variations.
Golden Blues // Selby & Friends
The 2024 Season opens with a brilliant program of variety, virtuosity and soaring melody. Bringing together again the dynamic duo of Alexandra Osborne and Clancy Newman, who together stunned audiences in 2023, we present a combination of trios and duos
The 2020s // Goldner String Quartet
Goldner String Quartet has curated a superb collection of works for this program, opening with music by rising Australian stars Harry Sdraulig and Christine Pan. This is followed by the Australian premiere of the latest quartet from Latvian composer Pēteris Vasks, his sublime String Quartet No. 6. In a remarkable celebration of their 30th and final year, the Quartet will also perform the Goldner Variations, a series of 30 short variations by Australian composers on Ludwig van Beethoven’s Ode to Joy.
Rhymes without Reason
Join soprano Janet Hattam and pianist Nerissa Pearce for a nonsensical, storytelling, classical music jaunt with the whimsical help of J. Michael Diack, Debussy, Kabalevsky and Peter Warlock with special guest artist pianist Stephen van der Hoek to enthral with Mozart's Twelve Variations on "Ah vous dirai-je, Maman"
2 Violins and 8 Strings
Marta & Matej Sutora of Adelaide Virtuosi Trio are honoured to present another spectacular music evening introducing more inspiring compositions.
Goldberg Variations // Víkingur Ólafsson at Adelaide Town Hall
Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the world’s leading pianists, makes his Australian debut at Adelaide Festival with Bach’s monumental Goldberg Variations.
The 2010s // Goldner String Quartet
This program explores how music can engage with the contemporary world as a medium for conveying important messages about nature and political issues. Pieces from Australian composers Ella Macens, Peter Sculthorpe, Paul Stanhope and Matthew Hindson are brought together with a wonderful work on the theme of nature from New Zealand composer Gareth Farr.
Songbirds // Ensemble Offspring
Songbirds celebrates the breathtaking virtuosity of Australian birdsong with original chamber works commissioned by Australia’s leading new music ensemble – Ensemble Offspring. Performed by Lamorna Nightingale (flute), Jason Noble (clarinet) and Claire Edwardes (percussion), Songbirds captures the familiar sounds of nature’s own musicians, virtuosic avian displays and Indigenous musical perspectives on these beguiling creatures of the sky.
There Will Come Soft Rain // Adelaide Chamber Singers
Music that echoes birdsong and the sounds of the natural world is at the core of this special new program from Adelaide Chamber Singers, led by Artistic Director Christie Anderson.
Radiant Music // Melanie Walters
Adelaide flutist Melanie Walters will take listeners through a rich sonic landscape in this recital of music for flute and electronics. The music will include works by Thea Musgrave, Nico Muhly, and Lilja María Ásmundsdóttir.
The 2000s // Goldner String Quartet
In this first of their three concerts, the focus is on uplifting Australian works from the 2000s by Nigel Westlake, Ross Edwards, Elena Kats-Chernin and Carl Vine. This will be one of the final performances of the Quartet in Adelaide.
Night Songs // Ensemble Offspring
Created by celebrated Australian musician and composer Jon Rose, Night Songs is a remarkable sonic experience: an interspecies engagement between the 13-million-year-old music of the pied butcherbird and contemporary human musicians.
Disappearing into Nothing
In this concert, audiences will witness Feldman’s take on the Rothko Chapel, where visitors often complain the paintings are indistinguishable from the background. Janáček reflects on how love (or the possession of another) fails to enable us to escape the mundanity of existence. Beethoven closes with fear and anxiety at the “unbearable lightness of being”, posing the question “must it be?” and answered with the affirmation “yes, it must be”.
Thanks for Nothing
This is a reflection on gratitude – or a lack of it – in music. Beethoven’s Heiliger dankgesang, a hymn of thanks to God on recovering from illness, is juxtaposed with the thankless task of composing for Rebecca Clarke: critics decided that she not only had not written it herself but that she didn’t even exist. A new work by Jakub Jankowski explores instances when composers have stolen from one another. Does anything ever come from Nothing?
Sunday Serenade // Arbor Wind Ensemble
Arbor Wind Ensemble, some of Adelaide's finest woodwind players under the baton of Alex Roose, present masterworks of late Romantic wind music. The serenades by Dvořák and Richard Strauss are considered to be among the finest music written for this combination of instruments. The luscious harmonies ring through the vibrant acoustic of Epiphany Church.
Something I Can Never Have
A reflection on longing, from the tormented lovelorn woman of Janáček’s Kreutzer Sonata to Schubert’s yearning waltzes. Arvo Pärt charts the path of Sarah’s infertility – the absence that defines her – as it transforms into the presence of Isaac.
Nothing on the Program
The program is empty for this short outdoor experience in UKARIA’s stunning gardens. Six musicians each briefly bring music of their choice, unknown to each other and to the audience. The ticket price includes beverages and canapés.
Gazing into Nothing
Bach gazed into the beyond and witnessed the ultimate Being; Ligeti and Shostakovich saw only a void. Bach’s music reflected the music of the spheres; Ligeti composed ex nihilo. For Shostakovich, a Funeral was the final end; for Bach, it was an approach to the throne of God.
Performed by Chloe Lankshear, Emma Woehle, Louis Hurley, David Greco, Richard Tognetti, Satu Vänskä, Kristian Winther, Caleb Wright, Sharon Grigoryan & Donald Nicolson.
Nothing will come of Nothing
The title of this concert quotes from King Lear, a play reflecting on the recent introduction of Nothing into European thought – an idea then imposed on Australia as terra nullius. Rhyan Clapham (Dobby) raps into life the consequences of Nothing on Indigenous identity and history. Beethoven’s Archduke, imbued with a redemptive power exemplified by Murakami, captures the miraculous moment of transcendence as the composer descends into aural oblivion.
Après moi, le déluge
A meditative experience that brings us as close to musical Nothing as we dare, while asking the question of whether ultimate fulfilment can be found in that liminal space. Just four musicians on stage – master percussionist David Jones, Carmen Warrington, violist Hanna Lee and violinist Kristian Winther – interspersed with musings from actor Katherine Tonkin.
Performed by David Jones, Carmen Warrington, Hanna Lee, Kristian Winther & Katherine Tonkin.
Aspects of Nothing
Massenet’s meditation empties our minds and Satie’s Relâche plays on the idea of a cancelled performance. Beethoven’s Cavatina has been sent into the Nothingness of outer space on the Voyager Golden Record, while his Grosse Fuge was regarded by its first audiences as unintelligible.
Performed by Richard Tognetti, Satu Vänskä, Hanna Lee, Li-Wei Qin, Konstantin Shamray, Katherine Tonkin & Craig Jeffrey.
Is this the gate?
This special concert performance previews a major excerpt from a new opera by Nicholas Lens, a Flemish composer from Belgium, with a libretto by J.M. Coetzee, based on his extraordinary novel Elizabeth Costello.
Long Lost Loves (and Grey Suede Gloves)
Join mezzo-soprano Anna Dowsley and pianist Michael Curtain for an evening of storytelling over the piano, inspired by the work of Pulitzer Prize-winning composer William Bolcom.
Long Lost Loves (and Grey Suede Gloves) is a new concert from Musica Viva Australia, written and directed by Constantine Costi and devised by Paul Kildea and Ian Dickson AM.
Perpetuum // Anthony Romaniuk
A natural musical polyglot, European-based Australian keyboardist Anthony Romaniuk’s classical training is complemented by his vast musical knowledge and talent for improvisation. For this concert, he presents an innovative program drawn from his latest album, Perpetuum, in which he fluently moves between grand piano, harpsichord and electronic keyboard. The program includes works from Erik Satie, J.S. Bach, György Ligeti and Franz Schubert.
Joseph & James Tawadros
Celebrated oud virtuoso Joseph Tawadros is joined by brother James (Arabic hand percussion) in a program of original compositions inspired by the Arabic modal system with elements of western classical, jazz, folk, metal and bluegrass. From furiously paced numbers to beautifully introspective tracks, including The Bluebird, the program beautifully blends cultures and musical traditions.
Recitals on the Fringe // Recitals Australia
Classical concerts by recipients of the Recitals Australia Elder Conservatorium Fellowship Program in North Adelaide.
Meredith Arwady
Grammy Award-winning American contralto Meredith Arwady brings a delightful program in life-affirming contrast to her role as Death in The Nightingale and Other Fables. Accompanied by Michael Ierace, her rich vocal intensity will be brought to a gloriously eclectic program with a distinctly avian theme, including works by Samuel Barber, Antonín Dvořák and George Gershwin, alongside songs by Richard Sherman (“Feed the Birds”), Harold Arlen (“Somewhere Over the Rainbow”) and Tom Lehrer (“Poisoning Pigeons in the Park”).
Soundmap of Karrawirrapari // Soundstream
In association with Soundstream New Music, local composer and sound artist Jesse Budel presents a new surround sound work, 'A Soundmap of Karrawirraparri', which explores the soundscapes of the eponymous river that traverses the Adelaide Hills and Plains.
All Flesh is Fire (Second Date)
Contemplating a life’s journey with themes of faith, refuge and sanctuary, All Flesh Is Fire fills the gallery with song, turning the gaze inward, reflecting the impact and transience of the temporal landscape.
Phantom in the Forest
Be immersed in nature as we take you on a musical journey in our majestic candlebark forest.
Soprano Nicolina Barcello and Pianist Emma Knights will captivate you as they showcase many of your favourite arias, musical theatre tunes and Andrew Lloyd Webber classics, including Memory, Music of the Night and I Dreamed A Dream; with special guest backing vocals from our resident yellow-tailed cockatoos!